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Retrieved 20 March 2016. Retrieved 2014-02-13. • (in Dutch). Retrieved February 10, 2013. • (in French).
The sequence of songs plays out like scenes on shuffle. Either that, or the relationship is extremely up and down; the singers sometimes sound as if they are addressing ex-lovers from other relationships. 'Reunited' is a blissful ballad, but it's followed by the embittered 'I'd Rather Be Broke,' where asserts, 'Just because your money's strong don't mean you can do the things that you do.' Is civil and clear-headed on 'I Hope That You're Okay,' claiming he 'can't go through the motions anymore,' but follows with a solo spotlight, 'I Wish,' that seems drawn from a different situation: 'I hope she creeps on you with somebody who is 22/I swear to God, I'm gonna be laughing at you every day.'
Her brand new single “Long As I Live” is out now, and is one of several tracks Toni co-wrote and produced for the album. The album also includes a duet with Colbie Caillat (on “My Heart”). SEX & CIGARETTES is available for pre-order now This year commemorates 25 years in the music business for Toni Braxton, since the release of her eponymously titled 8x-platinum debut album in 1993, on Arista Records.
The album included her career-defining worldwide hits “Another Sad Love Song” and “Breathe Again,” which made Grammy® history by winning consecutive awards in 1994 and 1995 respectively, for Best Female R&B Performance. The album also generated Toni’s 1994 Grammy® as Best New Artist.
Retrieved December 19, 2013. • Braxton, Edmonds, Toni, Kenneth 'Babyface'. Retrieved February 13, 2014. • ^ Kellman, Andy. Retrieved February 13, 2014. • ^ (January 23, 2015).. Retrieved January 23, 2015.
The album features hits “Hurt You” and “Where Did We Go Wrong”. On Love, Marriage & Divorce, Toni Braxton and Babyface, creative partners going back to the early ’90s, rekindle their musical relationship.
Retrieved December 14, 2013. Retrieved June 14, 2014.
Because of her husky voice, she often used male singers like Luther Vandross, Stevie Wonder, and Michael McDonald as models, as well as Chaka Khan. Braxton had some success on the local talent show circuit, continuing to sing with her sisters, and after high school studied to become a music teacher. However, she soon dropped out of college after she was discovered singing to herself at a gas station by songwriter Bill Pettaway (who co-authored Milli Vanilli's 'Girl You Know It's True').
(BMI)//Boobie & DJ Songs, Inc./Warner-Tamerlane Publishing Co. (BMI)//Inot Music LLC (BMI)//Rafael´s Son Music administered by Universal Music Corp. Recorded and mixed at Brandon's Way Recording, Los Angeles, CA. Track 9 © 2013 Rafael´s Son Music administered by Universal Music Corp. (ASCAP)//Khristopher Riddick-Tynes Music Publishing/FaceTone Music Group/Universal Music Publishing (BMI)//LT3 Sounds (ASCAP)//Faze 2 Music (BMI)/Songs of Universal Inc. (BMI)//Boobie & DJ Songs, Inc./Warner-Tamerlane Publishing Co.
December 11, 2013. Retrieved February 1, 2014. • 'Toni Braxton – Chart history'. Missing or empty url= (); access-date= requires url= () •. Toni Braxton & Babyface. Retrieved December 17, 2013.
As a narrative, the album can be hard to follow, but it's not as if breakups have a simple arc with a steady, unwavering decline. While most of these songs are ballads, rarely pulls out his acoustic guitar -- a saving grace for those who tired of hearing it throughout the '90s.
Once upon a time, Toni Braxton announced her retirement from music. Then Babyface brought her back to her senses. And thanks to his efforts, we have the. Thank you Babyface. Led by the singles “” and ““, the album seemed to be shaping up like a 90’s nostalgia album.
Her show, Toni Braxton: Revealed, ran until April 2008, when she joined the cast of the competitive reality show Dancing with the Stars. After lasting five weeks before being voted off the show, Braxton completed Pulse, her first full-length for Atlantic. Issued in May 2010, it became her fifth Top Ten album. Braxton further boosted her 2010s comeback profile by participating in another reality TV series, the long-running Braxton Family Values, which focused on her relationship with her mother and four sisters. Meanwhile, she reunited with Babyface to record the duets album Love, Marriage & Divorce. Released by Motown in 2014, it went to number four just before the duo starred in a Broadway production of After Midnight. Love, Marriage & Divorce won the Grammy award in the category of Best R&B Album just months before Unbreak My Heart: A Memoir was published.
On, and, creative partners going back to the early '90s, rekindle their musical relationship. Both endured broken marriages, and presumably it's those experiences that inform the material here -- a succinct collection of 11 songs, eight of which are duets. The emphasis is on divorce, indicated from the very beginning on 'Roller Coaster,' where enters with 'Today I got so mad at you, it's like I couldn't control myself.' The set finishes with the bittersweet 'The D Word,' seemingly a homage, in which confesses 'You still own my heart, forever and ever and ever.' Moments that deviate from issues of romantic strife are few. The duo don't seem nearly as connected to them.
• Raible, Allan. Retrieved February 9, 2014. • 57th Annual GRAMMY Awards Nominees: • Mendizabal, Amaya (July 2, 2014). Prometheus Global Media. Retrieved July 2, 2014. Retrieved on February 13, 2014. The Official UK Charts Company.
Retrieved August 19, 2013. Retrieved September 7, 2013. Retrieved October 11, 2013. Retrieved December 14, 2013. Retrieved June 14, 2014. December 11, 2013.
Critical reception [ ] Professional ratings Review scores Source Rating A– (favorable) The album was met with positive reviews from critics. Gave the album a 4 out 5 start rating, describing the album as 'This record seems gloriously stuck in a time warp. Honestly, Babyface and Braxton give us a glimpsing reminder of what high-quality R&B radio used to offer its listeners.
'Sweat,' a slinking groove, is like the 'Love During War' to 's 'Love After War,' while 'Heart Attack,' near the album's end, is a retro-disco move that seems more like a throw-in than a crucial part of the album. The sequence of songs plays out like scenes on shuffle. Either that, or the relationship is extremely up and down; the singers sometimes sound as if they are addressing ex-lovers from other relationships.
Although gospel was the only music permitted in the household, the girls often watched Soul Train when their parents went shopping. Braxton's parents later converted to a different faith and eased their restrictions on secular music somewhat, allowing Braxton more leeway to develop her vocal style.
Retrieved February 10, 2013. Retrieved 2012-12-22. Retrieved 2012-12-22. • Pommells, Ayara (September 10, 2015). Retrieved December 5, 2015.
Manufactured & Distributed by Universal Music Canada Inc. [CD] Made in Canada.
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Toni Braxton & Babyface – Love, Marriage & Divorce (2014) FLAC (tracks) 24 bit/44,1 kHz Time – 43:46 minutes 582 MB Genre: R&B Official Digital Download – Source: HDTracks.com Digital booklet @ Motown Love, Marriage & Divorce is the latest R&B album featuring Toni Braxton and Kenneth “Babyface” Edmonds. The two first collaborated in 1992 for the single “Give U My Heart,” the soundtrack to the film Boomerang. This is Babyface’s first album release in seven years and Braxton’s first new album since 2010. Movavi video converter crack download. The album features hits “Hurt You” and “Where Did We Go Wrong”. On Love, Marriage & Divorce, Toni Braxton and Babyface, creative partners going back to the early ’90s, rekindle their musical relationship. Both endured broken marriages, and presumably it’s those experiences that inform the material here — a succinct collection of 11 songs, eight of which are duets. The emphasis is on divorce, indicated from the very beginning on “Roller Coaster,” where Babyface enters with “Today I got so mad at you, it’s like I couldn’t control myself.” The set finishes with the bittersweet “The D Word,” seemingly a Sade homage, in which Babyface confesses “You still own my heart, forever and ever and ever.” Moments that deviate from issues of romantic strife are few.